R.F.M. Classic Kit (22BD.13TT.16FT)
R.F.M. Classic Kit (22BD.13TT.16FT)
$3,878.42 – $5,271.32
Please note :
*Photo shown is just an example. Hardware, Cymbals, additional tom / floor tom and other items on the photo are not included. Only drum(s) specified in the description is included.
*Bass drum comes standard with no tom mount installed except Yaiba Maple bass drum.
*If a tom mount needs to be installed on a bass drum, please purchase a tom holder separately. When a tom holder is purchased with a bass drum, we determine that a tom mount needs to be installed on a bass drum.
*When you choose mat lacquer, the photo shown is gloss lacquer. The actual purchased product will be in mat lacquer if you choose mat lacquer.
*Photo might not show the hoop type you selected, but your purchased item will come with the hoop type you chose.
*Colors on the photo might be slightly different from the actual color.
Additional information
| Weight | 88 kg |
|---|---|
| Finish | Oil, Wrap, LQ |
| Color | Bitter Brown Oil, Black Olive Oil, Charcoal Oil, Indigo Oil, Natural Oil, Smokey Violet Oil, Aqua Satin, Black, Black Onyx, Black Satin, Black Spkl, Blue Onyx, Blue Spkl, Blue Oyster, Champagne, Citrus Mod, Ginger Glitter, Gold Spkl, Green Spkl, Marmalade Swirl, Merlot Glitter, Merlot Spkl, Mod Orange, Psychedelic Red, Red Satin, Red Spkl, Silver Spkl, Sky Blue Pearl, Turquoise Oyster, Vintage Pearl, W.M.P, White Satin, Signal Green Ripple, Crimson Fade Mat LQ, Crimson Mat LQ, Ebony Mat LQ, Electric Plum Mat LQ, Emelard Fade Mat LQ, Emerald Mat LQ, Natural Mat LQ, Orange Fade Mat LQ, Royal Mat LQ, Solid Black Mat LQ, Tobacco Burst Mat LQ, Camel Fade LQ, Crimson Fade LQ, Crimson LQ, Ebony LQ, Electric Plum Fade LQ, Electric Plum LQ, Emerald Fade LQ, Emerald LQ, Natural LQ, Orange Fade LQ, Royal Fade LQ, Royal LQ, Solid Black LQ, Tobacco Burst LQ |
Description
No:
00-CCK
Size:
15″x22″BD 9″x13″TT 15″x16″FT
Hoop : Steel 2.3mm
Shell : American Maple
Lug Type : Solid Tube Lug
Lug Color : Brass
Drum Head : USA Remo (Coated Ambassador)
Comments
Photos from Instagram
Ash
White Ash was the material widely used to make Fender guitars until the middle of 1950s. Strong attack and quick response are the primary characteristics of this material. Since ash wood is relatively rigid, and challenging to process, its use for musical instruments has gradually decreased over time.
On the other hand, it shows some favorable characteristics – displaying a well balanced nature, both in resiliency and hardness. Of all woods ash has the best strength to weight ratio – making it the wood of choice for baseball bats. Its wonderful bending properties make it popular for fine woodworking and furniture making. These qualities combine to make it an ideal material for strong, light, resonant drums.
We have combined the ash material with poplar and, using Canopus’ original processing technique for the bearing edges, this has enabled us to create a drum sound with a “seasoned taste” to it.
Now, you can enjoy a vintage-like sound which is both dry and resilient. It displays a full low frequency response, short sustain and clear projection. Playing these drums will give you a comfortable feeling of familiarity – like the sound and feel of an instrument you have known for many years.
Furthermore, the natural beauty of the ash woodgrain, when colored, is particularly attractive。
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Ash
White Ash was the material widely used to make Fender guitars until the middle of 1950s. Strong attack and quick response are the primary characteristics of this material. Since ash wood is relatively rigid, and challenging to process, its use for musical instruments has gradually decreased over time.
On the other hand, it shows some favorable characteristics – displaying a well balanced nature, both in resiliency and hardness. Of all woods ash has the best strength to weight ratio – making it the wood of choice for baseball bats. Its wonderful bending properties make it popular for fine woodworking and furniture making. These qualities combine to make it an ideal material for strong, light, resonant drums.
We have combined the ash material with poplar and, using Canopus’ original processing technique for the bearing edges, this has enabled us to create a drum sound with a “seasoned taste” to it.
Now, you can enjoy a vintage-like sound which is both dry and resilient. It displays a full low frequency response, short sustain and clear projection. Playing these drums will give you a comfortable feeling of familiarity – like the sound and feel of an instrument you have known for many years.
Furthermore, the natural beauty of the ash woodgrain, when colored, is particularly attractive.
ポプラ材をコンビネーションし、カノウプス独自のエッジ加工技術で仕上げたそのサウンドは、乾いたショートサスティーンで低域に張りがあり、長年使い込んだ錯覚に陥る程ドライで抜けの良い「ヴィンテージライク」なサウンドを楽しむことが出来ます。
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#canopus #canopusdrums
#designedtobedifferent
Hammered Bronze Snare Drum
With a wide frequency range, comparable to a wooden shell, the Canopus’ Hammered Bronze snare combines the tonal depth and richness of our hammered shell with the power of bronze.
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#Repost canopusdrums
・・・
Vintage Snare Wire
From a warm whisper to a deep roar, Elevate your snare drum to its full potential
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Thank you fac_greenville for having our drum kits and hardware at your school! 2 RFM 20/12/14/16 kits (one kit in Charcoal Oil, one kit in Bitter brown) along with Yaiba SD and Hybrid Hardware are available!
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Mahogany Snare Drum
Canopus has recognized that Mahogany has a unique sound – heard in many vintage drums. We have taken this special wood and created a new contemporary sound. We have exercised our ingenuity in shell construction- using 6ply mahogany-poplar-birch with maple reinforcement, and edge-shaping to create a clear, crisp, well-rounded tone.
今日のエッジが立ったサウンドにもマッチする様にシェルコンストラクションやエッジシェイプに工夫をこらしたそのキャラクターは、マホガニー+ポプラ材の太く丸いサウンド特性に硬質な輪郭を混在させることに成功しています。
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Neo Vintage NV60-M1
With our NV60 M1 snare drum we have achieved the perfect balance between the classic, vintage sound of the 1960’s and the expectations of modern snare performance and design. Its rich, sophisticated sound suits it to a wide range of musical genres. A major attraction of the NV60-M1 is its wider tuning range – which one is unlikely to experience with vintage drums.
1960年代のジャズ界を風靡したドラムのサウンドを解析しモニターを繰り返した結果、シェルのコンストラクションは、メイプル＋ポプラの混合7plyと10plyを採用。スネアには同じ7plyながら配列を変えた専用のコンストラクションを採用しています。
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Birch
Our birch series has a powerful, sustaining low end with a fast release and excellent sound projection. It is the embodiment of the sound we envisioned for the birch series. Our birch drums are now used by many drummers live, in the studio, or wherever this powerful tone is needed.
メイプルとはひと味違うずっしりした低音の伸びや、パワフルで粘りのあるサウンド、そして「縦に抜ける」というリリースの速さと音飛びの良さが特徴です。ロック系を中心に多くのドラマーから熱い支持を受け、ステージやレコーディングで愛用されています。
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Mike Rose / Center Staging
When we opened the boxes of our new Canopus drum kit, I was blown away by the craftsmanship and high quality of the materials.
Once we set them up and played them, we were in heaven!
The drums sound amazing and are absolutely beautiful and a pleasure to play!
We are all in love with these drums!!!!!!
Matt Kane
I have been using my new Canopus Club Kit around New York a lot. I want to share a story with you: One night, I played a brazilian gig and they said to bring a small kit. I brought the Club Kit. They wanted very high volume and high energy samba all night long and there was no bass player. The bass drum on the club kit sounded so amazing!! It filled the room with tone and I did not miss the bass player. The bounce from the 15" bass drum is so nice, I did not have to work hard to make a big sound and the band loved it, too! After the gig, I felt great. Canopus has produced a truly amazing instrument, I am more and more impressed with it. Thank you so, so much...
Roger Turner
The club kit has all the tonal clarity and authority you could wish for throughout the pitch range, and the drums are made with the attention to detail and shell innovation that makes canopus such a great company.
Danny Salerno from NY, USA
They are the best sounding and well made drums I have ever played. Love the bitter brown oiled finish.
Alphonse Mouzon
CANOPUS R.F.M drum kit are the best drums that I’ve ever played thus far! Their strengths are in the design, quality and exceptional sound!! It doesn't matter if I’m playing a “live” concert or recording in the studio, the impeccable steady tone, sound and crispness of CANOPUS DRUMS comes through for me, and is incomparable to all of other drums on the market! I will not settle for less than CANOPUS DRUMS!
Steve Hirsh
My RFM drums are the warmest, most musical drums I've owned, in nearly 50 years of playing. I like to tune my drums high, and the RFM don't lose any of their tone, even at the highest tunings. And the 15" bass drum is about my favorite ever - incredible tone and articulation, and it's easy to haul around.
Dana Fitzsimons
The kit has arrived and I am knocked out. They open up with the lightest touch and it makes me want to play softer. They are super light in weight but deliver the best of the tone of the great vintage drums - but brought up to date. The attention to detail is amazing. Fit and finish are perfect; bearing edges and stain all perfectly even. They tune easily. The stock heads are exceptional. There’s a transparency to the tone that will make it easier to play and blend with other players. The brass lugs are all class. Under the mics the drums are a dream.
The Hybrid II throne is fantastic - lighter weight, as strong as those heavy thrones we all hate dragging around, and with a natural hemp cover that will be great for long gigs. The Speed Star bearings for pedals are the truth! I’ve played my Camco pedal stock since 1988. When I added the Speed Star bearing, it made my workhorse pedal quieter, more responsive, more efficient, and smoother. Such an easy way to improve your favorite pedal.
Don Berman
Since my RFM drums arrived I have played them in a number of different situations, and they have delighted me on each occasion. I need drums that deliver great sound at all dynamic levels and these drums do so. I can sincerely say tnat tney are the finest instruments I have ever played. The set feels to me like it is alive and breathes! I can play it at a light whisper and I get the same quality tone as when I really lay into the drums in louder areas of the music I play. I have never played a drum set that is so responsive, even at very low dynamic levels. After playing the RFM's for a while now, I have witnessed what I read about the way they arer designed and built. The shells are constructed in such a way in such a way that each drum responds and speaks as well as the others. They belong and balance with each other like a family. My RFM's are I all I could ask for. Thank you, Canopus!
Ken “K Bo” Biedzynski
"The RFM kit is tough to beat," says K Bo. "The quality and workmanship is clearly top shelf and the sound capabilities are vast," he continued. K Bo also talked about the aesthetics of his RFM kit: "I have to say that it is rare that someone does not comment on the appearance of my kit and that is a direct reflection on the product that Canopus produces. Knowing the folks at Canopus and seeing them in action, they remind me of a pit crew in racing. They each swiftly and efficiently address a certain element of the drum kit and as a team they are relentless. I don't think the quality of Canopus drums is debatable at all and I know I am not the only one who thinks that.